Hamdi Makhlouf

Ph-D Music & Musicology

Arabic | French

Identity Info

  • - Birth : June 05, 1980 in Tunis (Tunisia)
  • - Nationality : Tunisian
  • - University Level : Ph-D, Music & Musicology
  • - Work : Lecturer
  • - Artistic activity : Composer, Lutenist (‘ūd - arabic lute) & vocalist.

Skills

  • LANGUAGES

    ARABIC : Native tongue, read, written, spoken, excellent level

    FRENCH : 2nd language, read, written, spoken, excellent level

    ENGLISH : 3rd language, read, written, spoken, good level

  • WRITING SOFTWARES

    LATEX, iWork (Pages, Keynote, Numbers)

  • MUSICAL SOFTWARES

    Praat, MuseScore, Sonic Visualizer, Audacity, ...

  • WEB DESIGN

    HTML, HTML5, CMS (wordpress, Joomla, pluXml), LMS (Claroline), Wiki (DokuWiki, MediaWiki)

Contact

  • 20, Paris Avenue, 1000
    Tunis - Tunisia
  • www.hamdi-makhlouf.com
    hamdi.makhlouf@ismt.u-tunis.tn
  • (+216) 50 995 774

Supervision of scientific works

  • - (2016) Houssine Baraket : [in french] Manifestation of Ṭarab in Tunisian instrumental music : experimental protocol and listening analysis of "Farḥa" by Qaddour Ṣrârfî. Read here

Jobs

Lecturer

University of Tunis (ISM) Sep 2012 - Now
Success in the National Debate Lecturer Recruitment, July 2012..

Scientific Supervisor

Centre of Arab and Mediterranean Music (CMAM) Jun. 2017 - Nov. 2019
supervising the scientific activity (publications, national sound archive, papers archive (Scan, upload & create specific platforms on the web).

Festival Director

Minister of Cultural Affairs (Republic of Tunisia) April 2014 - June 2017
Director and President of the organizing committeeof Carthage Music Days. Session 2 (March 2015), session 3 (April 2016) and session 4 (April 2017). More informations on this website.

Assistant

University of Sousse (ISM) Sep 2010 - Sep 2012
Success in the National Debate Assistant Recruitment, juillet 2010.

EDUCATION / Qualifications

Ph-D

University of Paris Sorbonne - Paris IV (France) dec 10, 2011
Ph-D in Music and Musicology, Very Honorable mention. Title of thesis : The concert ‘ūd. Organological problematic, compositional space and semiotic modeling, directed by the Professor Jean-Marc Chouvel.

DEA

University of Vincennes Saint-Denis, Paris 8 (France) Oct 18, 2004
DEA (Advanced Studies Diploma) in Ethnomusicology, Very Good mention. Titre of the dissertation : Musical aspects of therapeutic ritual by the Ṣṭumbâlî of Sfax, Tunisia.

Mastery

University of Sfax - ISM (Tunisia) June 14, 2003
Mastery in Music and Musicology, Higher Institute of Music of Sfax, Very good mention with the congratulations of the jury. Title of the dissertation : The music of the blacks "Zunûj" of Sfax : Ṣṭumbâlî.

Baccalaureat

Secondary school, april 9, 1938 - Sfax (Tunisia) June 1999
Bachelor's degree in experimental sciences, Good mention.

Publications

collective article | collective book

Delatour France Sympzon (France) 2013
Amine Beyhom & Hamdi Makhlouf, « The fretting of the ‘ūd in arabian music theory and its interaction with practice », In : Music and its instruments, Proceedings of the Interdisciplinary Music Congress (CIM), Paris, october 2009, dir. Michèle Castellengo & Hugues Genevois, p. 85-98.

Article | Collective book

Delatour France Sympzon (France) 2012
Hamdi Makhlouf, « The interpretation of the concert ‘ūd music : what analysis ? what meaning ? », In : Music interpretation, Proceedings of the 6th European Congress of Music Analysis (oct 2007), collected and introduced texts by Marie-Noëlle Masson, Preamble by Ludwing Holtmeier, p. 149-156.

ARTICLE & CO-DIRECTION OF a COLLECTIVE WORK

Delatour France Sympzon (France) 2010
Hamdi Makhlouf, « Emotional experience of the contemporary arabic ‘ūdist(lutenist) », In : Music, Signification and Emotion, dir. Mondher Ayari & Hamdi Makhlouf, p. 333-356.

Article | Revue

University of Antonine Baabda (Lebanon) 2009
Hamdi Makhlouf, « Music therapeutic dimension of the sfaxian Ṣṭumbâlî rite », RTMMAM Review of the musical traditions of the Arabic and Mediterranean worlds, N°2, Musicology of religious traditions, p. 149-166.

Article | Revue

SFAM Paris (France) 2008
Hamdi Makhlouf, « Composition, interpretation and figuralism in the music of the concert ‘ūd. Hearing analysis of l'Abri d'Al-Amiriyya by Naseer Shamma », Musimediane (multimedia revue), N°3, Unwritten music.

Seminars & Conferences

Music analysis through new technologies : between tools and methods
ATuReMM - URADM ISM Sfax (Tunisia) oct 20, 2012
Study day : Analysis of musical discourse and new technologies, ATuReMM (Tunisian Association for Research in Music and Musicology) & URADM (Analysis of Musical Discourse, Research Unit).
Some terminological and historical references to musicology.
ATuReMM ISM Tunis (Tunisia) mai 17, 2012
Conference and moderation of a debate, "Theme and Debate" about The Separation between Music and Musicology at the Higher Institutes of Music in Tunisia : what restructuring ?.
From the compositional idea to the form of the musical work in the concert 'ūd music : Analysis and signification through an example of the trio Joubran.
IDEAT - UMR 8153 - CNRS Univ. Panthéon Paris I Sorbonne (France) mai 16, 2009
Aesthetic and Cognition Seminar : Theories of art and cognitive phenomena, Session N°13 : Aesthetics, cognition and compositional issues, organized by Jean-Marc Chouvel, Hugues Dufourt, Xavier Hascher and Costin Miereanu.
Emotional experience of the contemporary arabic 'ūdist (lutenist) : compositional idea and creative process.
Cultural Service of Egypt Paris (France) June 5, 2008
Cycle of conferences "Music and Emotion".
Interpretation of the concert 'ūd music : What analysis ? What meaning ?
Musikhochschule Freiburg (Allemagne) Octobre 14, 2007
6th European Congress of Music Analysis : Interpretation.
The song Ra' al-habîb (The lover touched) : interaction between music and meaning.
Cultural Service of Egypt Paris (France) March 2, 2006
Conferences series around Om Kalthûm.
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